Edinburgh Fringe review: Milo Edwards, Voicemail
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In his second solo Fringe hour, Milo Edwards follows-up his critically acclaimed 2019 show Pindos by exploring the void zone between childhood and death.
With Voicemail, he delivers an excellent hour of clever, tightly-written stand-up on mortality, the economy and society.
We see Edwards processing the world around him with waspish wit